24 Following

N.A. Ratnayake

The Andromeda Strain - Michael Crichton

Great premise and I love that it's bio hard science fiction, a sub-genre that I wish there were more of. Especially given recent advances in genetics, neuroscience, and prostheses, I feel as though there are lot of questions related to the intersection of science and society that the genre could be addressing, but isn't.


The novel was written in the late 60's, and some aspects of it haven't aged well. All of the characters with any agency are educated, scientifically-minded, white men, and it was honestly difficult to tell them apart by anything other than their names and blunt descriptions. Counterpoints were Peter Jackson and Officer Willis, who had unique and well-crafted dialogue that I enjoyed reading "aloud in my head" if that makes sense.


The exposition is fairly heavy-handed, with technical (but at least interesting) info dumps roughly every other page. Like many thrillers, this novel is overwhelmingly plot-driven, with little in the way of introspection, reflection, or emotion shown by any of the characters. However, at least the hooks are laid well throughout the story -- I definitely wanted to keep reading to find out what happened.


I'm glad to have checked off a classic I've been meaning to get to for a long time. Overall: enjoyable but dated, interesting but hardly enthralling.

Ambush - James Patterson

I mean like, sure.

Splintered Suns - Michael Cobley

Despite the high praise on the back cover and intriguing premise, this novel left me feeling kinda meh.


The worldbuilding and the plot were at least interesting enough that I wanted to keep going for awhile, and I did manage to make it through twelve chapters before setting it aside. However, the characters are as flat as a Kiskashin's sense of humor, and often take actions that don't seem to be motivated by anything except it would lead to a gosh so cool scene or situation.


While intellectually interesting and many-layered, the plot and side-plots weren't tightly bound to a cohesive story thread enough for me to become emotionally invested in what was happening. It doesn't help that the star of the show, Brennan Pike, comes off as a happy-go-lucky cross between Han Solo, a leprechaun, and a cartoon pirate. The dialogue as-written reflects this. So annoying.


Highlights: expansive world-building, huge ancient alien starship, creative meshing of artificial and advanced biological life forms, interesting side plot that takes place inside a mind crystal


Lowlights: somehow manages to be pretty boring overall, despite all of the above


DNF (pg 252 of 483).

Exit West - Mohsin Hamid

When Saeed and Nadia finally had coffee together in the cafeteria, which happened the following week, after the very next session of their class, Saaed asked her about her conservative and virtually all-concealing black rode.

"If you don't pray," he said, lowering his voice, "why do you wear it?"

They were sitting at a table for two by a window, overlooking snarled traffic on the street below. Their phones rested screen-down between them, like the weapons of desperados at parley.

She smiled. Took a sip. And spoke, the lower half of her face obscured by her cup.

"So men don't fuck with me," she said.


The quote above appears at the end of Chapter One, and sums up the essence of what I like about the novel. It does equally well as an example of what turns me off as well.


I love that the setting and characters give me a unique and interesting perspective on the world, one which I seldom have access to. They surprised me, and confronted me with assumptions and prejudices that I wasn't aware I harbored, even considering myself fairly open-minded and educated about the world. In this way, Exit West demonstrates to me that there simply aren't enough diverse voices from a Middle Eastern lens that are making it into the mainstream consciousness, leading to a limited set of narratives from which we draw our judgments and conclusions about its culture and diaspora. I appreciate that this novel expands that perspective. Further, the characters are likeable and I immediately sympathized with their position, foibles, and desires.


With such strengths, it might seem odd that I am giving a rating of 3/5 stars. The fatal flow in the novel is this: despite the unique perspective and sympathetic characters, it was hard for me to feel engaged with the story itself. The tone, while sometimes genuinely funny and surprising, often just comes off as smug and cheeky to me. The style is literary and detached; even violent deaths are described matter-of-factly, and it feels like it takes a very long time for things to happen. Given the violence and suffering of the backdrop of civil war, I found myself craving something more direct, clear, and raw to bring it home emotionally.


That, or perhaps I'm just not literary enough to appreciate the excellently crafted prose when the plot feels understated and beneath the surface... I'm no pulp reader -- lack of character depth and hacked-together stocked plots do really annoy me. I do want to think when I read, but in the sense that I want to learn something new, maybe have my mind blown, and perhaps be inspired. I don't want to be craving more connection while applauding politely, as artisan turns of phrase pirouette on by.


Overall, I'm glad this novel exists, and I don't think I wasted my time reading it... but you won't find me singing it's praises or strongly recommending it to friends.

The Three-Body Problem

The Three-Body Problem - Liu Cixin, Ken Liu Loved it. Fantastic, mind-blowing ideas and many-layered cultural setting, social systems, and characters. My only complaints are 1) the dialogue comes off as stiff and overly-constructed (which I assume I can attribute to the difficulty of translating from Chinese), and 2) the exposition and plot advancement (especially as we begin to learn more about the Trisolarans) often feels very heavy-handed.

Some of the best science fiction I've read in awhile. Will definitely read the sequels.

Hillbilly Elegy: A Memoir of a Family and Culture in Crisis

Hillbilly Elegy: A Memoir of a Family and Culture in Crisis - J.E. Vance Interesting perspective from poor white America, and a heartbreaking one. It reinforced my understanding that people would be much more aligned by class than by race in America if racial tribalism weren't being actively stoked by those in power (who have every reason to ensure that the masses do not unite against the wealthy). That said, this book is repetitive and lacks the level of profundity promised by the incredible hype surrounding it. It points out real problems that have everything to do with class and persistent structural wealth inequality caused by free-market capitalism -- problems which oppress poor whites in Appalachia and poor minorities in urban cities alike -- but seems to actively avoid directly drawing this conclusion. As such, the argument falls flat and ends up coming off a bit whiny and pretentious, which is a shame because the problems described are real and important.

The Wright Brothers

The Wright Brothers - David McCullough My first audiobook! I chose a topic of which I had prior knowledge, but I was surprised how many new things I learned from McCullough's account of the Wright brothers' journey to making the world's first controlled, powered flight in an airplane. Like all good historical nonfiction, the account interweaves the individual human level with the big picture. McCullough shows the personal lives of the Wright family as well as the broader technological and political implications and context of their work.

I especially enjoy that the book is also a fine counter to the myth that genius is the product of natural talents and sudden epiphany. McCullough shows the childhood influences the brothers had to encourage tinkering and creativity, and details at length the decades of thought, experimentation, innovation, and perseverance through failure, injury, and ridicule that were necessary to arrive at their world-changing achievements. The book is as much a testament to the personal qualities and character of the whole Wright family as it is an account of their technological contribution to history.


Dune - Frank Herbert I've come to this book later than most, and I'm so glad I did.

I'll start with the criticism. First let me acknowledge that, as a book published in 1965, Dune contains a few elements that are likely to be problematic to the modern reader. The world depicted (which is an active choice made by the author) is almost universally patriarchal -- not just one society, mind you, but all of them, with the possible exception of one. (However, even that one, the Bene Gesserit multi-generational society of powerful sorcerer-ninja women, is incomplete and cannot fulfill its ultimate purpose until a LONG-PROPHESIED MALE CHILD is born to do what somehow none of them can.) And apropos of long prophesies, the story is definitely among the Chosen One narratives, which seem to have gone decisively out of style (at least in more literary science fiction).

All that said, I was thoroughly engrossed in the world: the captivating setting with its desert aesthetic strongly influenced by the Islamic world, the interweaving of complex politics and deep religions, and the layers upon layers of motivations and counter motivations that tear at almost any character with a name. Dune also falls within the prestigious company of those few books that I've read which manage to blend hard science fiction and fantastical elements seamlessly together in the service of evoking wonder -- such as [b:Revelation Space|89187|Revelation Space (Revelation Space, #1)|Alastair Reynolds|https://images.gr-assets.com/books/1405532042s/89187.jpg|219037] or [b:Anathem|2845024|Anathem|Neal Stephenson|https://images.gr-assets.com/books/1488349209s/2845024.jpg|6163095].

I'm hooked. I can finally understand why Dune became the genre's gold standard for science-fiction that isn't afraid to talk about the human element, and does it exceptionally well. I definitely plan to add the rest of the series to my To-Read list.

Consider Phlebas

Consider Phlebas - Iain M. Banks Such high hopes. Dropped it after chapter 3 / page 50. Characters and dialogue are beyond crap, I'm not even sure i really know what's going on or why i should care, and i actively dislike the protagonist. Reads like a cheaply made Saturday morning cartoon. People tell me the other books in the Culture worldspace are better, so I might still give them a shot.

Chasm City

Chasm City - Alastair Reynolds Fantastic ideas and worldbuilding, but unfortunately a huge let-down after Revelation Space, which was one of the best scifi novels I've read. As this was in the same series, I hoped for more. However, I ended up calling it quits around two-thirds of the way through because the characters, dialogue, and arcs just got so bad. after the first third or so, it reads like a wandering first or second draft manuscript, which makes me wonder if it was just poorly edited or rushed to market.

This would be a two star review, except that I was genuinely interested in one of the secondary side plots. The novel should have just focused on Sky Hausmann's journey to the Yellowstone system, and the dark Cold War between the ships of the flotilla. The main storyline of Tanner Mirabel falls pretty flat by comparison. Reynolds is trying to do a character novel, and that's hardly his strong suit.

I'm going to give the RS universe a couple more chances though... hopefully i find more like the original of the series.

Revelation Space

Revelation Space - Alastair Reynolds I love stories that are able to combine large scope, hard approach to scifi tech, mythology or a spiritual element, and enough of a mystery to provide suspense. RS delivers on all of the above.


Foundation - Isaac Asimov Fascinating to see the lines connecting this work to so many others I have read. Foundational indeed. But pretty mediocre writing, flat mouthpiece characters, etc. Worth reading as ideas, not story.

(Also: Am I the only one wondering if George Lucas really ripped off everything he did from books like this?)

David and Goliath: Underdogs, Misfits, and the Art of Battling Giants

David and Goliath: Underdogs, Misfits, and the Art of Battling Giants - Malcolm Gladwell My usual Malcolm Gladwell review... fascinating anecdotes that make me think about interesting things, but with oversimplified conclusions stemming from wild extrapolations. The book is not very coherent overall either, reading very much like a draft.


Common Ground: A Turbulent Decade in the Lives of Three American Families

Common Ground: A Turbulent Decade in the Lives of Three American Families - J. Anthony Lukas "To say that Common Ground is about busing in Boston is a bit like saying that Moby Dick is about whaling in New Bedford." - back cover

The Quiet War

The Quiet War - Paul J. McAuley Well deserving of its many accolades and awards, The Quiet War is a novel among those on the new hard science fiction frontier. McAuley artfully blends genetic engineering, artificial ecosystems, political intrigue, sociology, environment, economics, and space travel. The prose is direct and well crafted, and the ideas simultaneously fulfill both aims of what I love to see in science fiction: exploring future possibilities and holding a critical mirror to the current times.

I think it is also worth mentioning that McAuley's protagonists are strong females with depth, who buck the two-dimensional stereotypes often seen in the genre. The novel also declines to glorify (or vilify) western cultural projections of humanity's space-faring future. Most importantly, this welcome diversity in thought and character does not come, as it often does, at a compromise to craft -- McAuley has bucked the status quo and set a new standard for contemporary science fiction.


Cosmopolitics - Paris Arnopoulos A good faith stab at attempting to consolidate information on a wide-ranging and complex question. How do we set up social structures that will work for the dawn of the real space age... when space is commercial accessible and exploitable by private interests?

However, the perspective is dated and some of the underlying assumptions naive. For example, Arnopoulos assumes that wealth disparity is due purely to the random distribution of resources on the planet and who was able to apply innovation to make use of them. This perspective completely ignores the much larger role that exploitation, slavery, genocide, and predatory monetary policies have had on the distribution of wealth in all human societies to date. Economics in a free market system are not based on people cooperating in rational self-interest, but rather conscious and subconscious xenophobia and the drive to maximize in-group wealth.

These human tendencies are certainly not going to magically disappear just because we will venture out into the solar system. Consider that a private company is now resupplying the space station and has designs on Mars, another private interest is sending a manned (slingshot) mission to Mars by the end of the decade, and still another is planning to mine asteroids in roughly the same timeframe. This is real, and this is now, and not facing the very real social problems we still have on earth will hardly lead us to anywhere sustainable or equitable in space.

While I did glean some useful thinking points from many of the essays, I confess to putting it down halfway through due to its sociopolitical and economic naivete.